“The squash is almost ready,” she says, when she hears me come in. “Go ahead and sit down.”
As I enter the dining room I notice that my plate is half-covered with cheese, a huge pyramid of cheese, built with large cubes nearly two inches square. I stare at the cheese. She brings in the squash and sees me looking at the cheese.
“They weren’t supposed to be that big,” she tells me.
“Why are they?” I ask.
She looks at me. “Fate intervened.”
With those words, I see three ancient women: one measuring out lengths of string, another marking those lengths on enormous blocks of cheese, the third carving the cheese into cubes with a long dark knife.
“Something wrong?”
“No,” I say, “I was just imagining the Cheese Fates.”
“I said Fate, not fates.” The edge in her voice startles me.
We sit down to eat.
“They still might melt,” she says.
I look puzzled.
“On the squash.”
I put a couple of the cubes on my squash. Islands now, in the soft, steamy yellow, the orange cubes seem out of place, unnatural.
The cheese is not melting.
I poke at the cheese with my fork, pressing it deeper into the squash.
“They sure are big,” I say.
“Fate intervened,” she says again, but this time not to me.
I glance at her, then look back at my plate. I begin to hope the cheese will never melt, and that if it doesn’t, perhaps the dark knife will never carve again.
++
of his genealogical tree. Or how old he is. Or where he went to school. Or
that he currently resides in Mead, Washington and is working on a book
about a dog named Lewis.