Category: Book Reviews
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Faultland
Some disaster stories are aftermath stories. What happens after the [volcano erupts/bomb goes off/levees break/insert other crisis here]? What was the scale of the devastation? How does life go on post-catastrophe? In contrast, Faultland by Suzy Vitello deals only briefly in what happens after a deadly 6.9 magnitude earthquake ravages a post-pandemic Portland, Oregon in…
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Ulirát: Best Contemporary Stories in Translation from the Philippines
Most Filipinos know at least four languages — English and Tagalog, the two official national languages, plus legacy Spanish and a more localized language (or two or three). This multiplicity is aptly represented in Ulirát, an unprecedented collection of short stories that includes translations from seven of the more than one hundred languages of the…
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Call It Horses
One Saturday in October 1990, three women hit the road in a rusty blue Oldsmobile, heading out from Caudell, a small West Virginia town. One woman carries an oxygen tank. Another bears the bruises her husband has left on her face and arms. The last, the driver and our narrator, hauls the dead weight of…
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In the Company of Men
The sheer number of people killed by COVID-19 makes it meaningless to say any other viral epidemic was “worse,” but the suffering and torture inflicted on Guinea, Liberia, and Sierra Leone during the Ebola outbreak from March 2014 to June 2016 go beyond what anyone wants to imagine. For the Ivorian novelist Véronique Tadjo, it’s…
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The Death of Murat Idrissi
The title of Tommy Wieringa’s novel, The Death of Murat Idrissi, reveals its tragic ending: Murat, the Moroccan protagonist, will die. You know this. Yet you wait in heightened anticipation for what will happen next. The novel reads like a short story but packs such a punch that the reader is left gasping, overwhelmed by…
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The Trouble With Language
During my undergrad creative writing degree, students tended to pigeonhole, to narrow themselves down creatively. A student would read a piece of genre-fluid work only to hear, in that vulnerable afterglow, a response like, “Well, this is poetry, and as a prose writer, I can’t really comment.” I’m sure I did it, too, fearing to…
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The Conquered Sits at the Bus Stop Waiting
To be conquered is to be defeated, beaten, vanquished, crushed. The eight stories in Veronica Montes’ chapbook The Conquered Sits at the Bus Stop, Waiting are peopled by characters overwhelmed in some manner — by grief, by the desire to be seen, by the ceaseless march of time, by aging. But although Montes’ characters may…
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Edendale
Edendale, the first novel from Jacquelyn Stolos, takes place in Los Angeles during wildfire season and follows four roommates as small transgressions escalate into unforgivable ones. It is a tale of environmental horror in every sense of the phrase, charting ecological collapse alongside the collapse of a social microclimate: as the friends’ dynamic warps under…
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The Invention of Love
The Invention of Love, Sara Schaff’s second short story collection, is a meditation on the messiness of love, art, and belonging in women’s lives. Schaff is fascinated by the journey of female identity — its origin, development, and influences. Eager to find out where they fit and how they’ll flourish, the women in Schaff’s collection…
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Moonflower, Nightshade, All the Hours of the Day
The stories and novella of JD Scott’s Moonflower, Nightshade, All the Hours of the Day might be called fabulist, literary, millennial, parable-ish, or bildungsroman, but, as soon as the collection seems pin-able, another enchanting element surfaces. Scott’s range and rhythms delight. In one story, an insomniac narrator ruminates on the nature of reality via Wile…
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The Animals in That Country
We are enamoured with talking animals. In literature they have been there from the beginning, tempting Adam and Eve, guiding children through fairy tales, befriending Christopher Robin. The dream of communicating with other animals follows us out of childhood, from stuffed toys and Disney regicides to Orwell’s rich pigs and proletariat mules. How does a…
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Machines of Another Era
Why do we read fiction? To escape what we dislike about our lives? To defy what we deem culturally, spiritually, technically, physically, or morally unjust? To examine objects, people, and situations so closely that we are able not only to see the worlds they contain, but also to step inside them? The answer is, of…