In After Coetzee: An Anthology of Animal Fictions, activist and scholar A. Marie Houser curates a provocative collection revealing the fissures of freedom and communication between human and nonhuman animals.
The “Difficult Man” is ubiquitous in fiction and pop culture. Male characters are influenced by John Updike’s original immoral post-war family man Rabbit Angstrom, Philip Roth’s navel-gazers, Raymond Carver’s alcoholics, and thoughtful criminals like Tony Soprano and Walter White. Siel Ju’s excellent novel-in-stories, Cake Time, subverts this trope to focus on the good and bad decisions of a difficult woman.
The simplest introduction for Baret Magarian’s The Fabrications is to say that it is a novel of satire for an era of irreality.
The Things We Do That Make No Sense, Adam Schuitema’s second story collection, begins with a passage from one of Andre Dubus’ most famous stories, “A Father’s Story”: “For ritual allows those who cannot will themselves out of the secular to perform the spiritual, as dancing allows the tongue-tied man a ceremony of love.”
I don’t like to experience feelings. I’ll write characters who experience feelings so I don’t have to worry about actually experiencing them myself. Then they can feel something and I’ll understand what it’s like for them to have that weird, overwhelming, uncomfortable feelings, but I won’t have to deal with it.
The end of the world is nigh—and it’s only 1987. Scientists have calculated the precise day—almost a year away, at the top of the story—that a comet will collide with our planet and destroy human life as we know it.
Last week, last month, three years ago; on the bus, in a café, at my kitchen table; I sat down to write. What was in my mind? I have forgotten.
I always think of myself as “from” Montana, and when I’m out West, something in my whole being lifts up — like I can somehow breathe better. So yes, that call is always, always there. I keep trying to answer it in my writing, but someday I hope to be back where I belong.
A word of warning: Aberrant is not for the faint of heart. If the man-eating plant from Little Shop of Horrors brings back unsettling memories, know that Marek Šindelka’s debut novel has something much darker in store.
Mycology was inspired in part by that etching of a mushroom I watched waving in the breeze in Paris. There was a long row of them. The one I was most drawn to was the pale, elegant Amanita Virosa, tasty but so deadly it will liquefy your internal organs.
What effects, if any, do protests have on the people in power? Is it possible for citizens to invoke meaningful societal change through mass demonstrations? These difficult questions are at the heart of Dear Cyborgs.